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About
the recurrent images in my work:
Images
emerge spontaneously, and when I get used to seeing them in my work
I start to make associations and understand why they made their
appearance in the first place.
The
(Moon/Sun) Presence
Growing
up in Mexico I was exposed from an early age to reproductions of
the Olmec* heads in books and other visual sources. But it wasn't
until I saw one of these at the Los Angeles County Museum of Art's
Mexico: Splendors of Thirty Centuries in 1991 that I was directly
impacted by the spirit of one of these ancient stone portraits.
Being in front of this rock made me feel the power a great work
of art has to touch, move and inspire, in spite of the time and
cultural distances. I felt the presence of a fellow human in the
rendering of this visage of fleshy lips, flat nose and full cheeks
that shows a calm but vigilant frown. That impression has remained
with me. I was struck by the deftness of its execution, especially
the raised border around the lips. Soon after this experience I
started to doodle little round heads informed of the venerable Olmec
head. Whereas the colossal portraits of that far gone civilization
are setting heavily on the ground as if resting on or sprouting
from it, my two-dimensional avatars are suspended in the air or
soaring. I emphasize circularity, which in some ancient wisdom traditions
is the symbol for wholeness, completeness. I was very taken by what
I thought were African lips and Asian eyes in the original. In my
versions I tend to exaggerate these characteristics, plus I add,
from Europe, a thin nose and hollow eyes reminiscent of most of
the ancient Roman bronzes as we see them today. In my sun/moon images
I integrate aspects of human types that tend to comprise the whole
spectrum of humanity, and I depict that face (presence) levitating
or ascending to higher levels.
The
sun, giving light and heat to the earth, is a figure of divine Life
and Love, enlightening and sustaining the universe. Sun. The symbol
of Soul governing man—of Truth, Life, and Love.
Mary
Baker Eddy (1821-1910) Science and Health
*The
Olmec civilization is the earliest documented complex society in
the Americas. By 1750 BC they already occupied the warm and fertile
coast of the Gulf of Mexico in the present day Mexican states of
Tabasco and Veracruz. Their civilization flourished around 1000
BC and declined circa 250 BC, to later vanish completely. Colossal
human heads carved of large stone boulders are the hallmark of this
mysterious civilization of which there are sixteen exemplars.
City
Hall
Los
Angeles city hall began to appear in my work in the early to mid-eighties.
I was looking for a visual reference for Los Angeles and found that
its signature city hall Art Deco tower was the most appropriate
referent. I wanted to steer away from the palm trees, Hollywood
and the beach scene, and found city hall the most appropriate signifier
since, at least politically, it is supposed to represent all of
Los Angeles. At the time I started using this symbol the city council
was a bastion of white male power, but, with the passing of time
and the demographic shifts in the city and in the state, this has
changed, yet it still remains the locale where the city politics
are staged.
I
made a conscious decision to make Los Angeles the locus of my work
because a lot of people still do not think of Los Angeles as a major
art center. They associate art and art making with foreign locales
dripping with art history. They often think of Europe and New York
in terms of art, but not so of Los Angeles. Not that my contribution
will reverse this, but I thought important to anchor my work in
Los Angeles to leave no doubt as to where it comes from, even if
a lot of people still don't recognize the building. Another important
point in this line of thinking is that the art centers of the past
are associated with high culture, Los Angeles on the other hand
is more closely associated with ad forms industrially produced for
the mass market, such as movies, television, popular music, comic
books. In other words Los Angeles has a corner on the low brow end
of the cultural spectrum. Which is something I enjoy.
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